Eksistensi Alat Musik Dol Dalam Pelaksanaan Tradisi Tabot Bengkulu

Abstract

This study investigates the function and significance of Dol music within the Tabot Tradition in Bengkulu, emphasizing the instrument's operation throughout the ritualistic procession and the comprehension of its symbolic values among younger individuals. Through unique rhythmic variations at each procession stage, Dol serves not only as musical accompaniment but also as a ritual phase marker, a means of non-verbal communication, and a symbol of Bengkulu's cultural identity. Employing a descriptive qualitative approach involving detailed interviews with the Head of the Bengkulu Pavilion at TMII and a review of literature, this research reveals that Dol music has interconnected roles: regulating the procession's rhythm, creating a collective emotional atmosphere, and instilling cultural values through firsthand experience. Nevertheless, a gap in understanding persists among the younger generation, who frequently view Dol merely as a performance. This study underscores the need to enhance cultural education and leverage digital media to ensure the tradition's continuity. The findings suggest that Dol is a vibrant cultural element that links ritual meaning, social cohesion, and the preservation of community identity.